In Claus Guth's haunting new production of Debussy's "Pelleas et Melisande," the characters move as if in a trance between two worlds — both of them unrelentingly bleak.
The French composer's only completed opera, starring baritone Christian Gerhaher and soprano Christiane Karg in the title roles, was seen Thursday night in the seventh of eight performances by the Frankfurt Opera this fall. The final one is Saturday night.
The story, adapted by Maurice Maeterlinck from his own symbolist play, sounds straightforward when reduced to its elements: Golaud, grandson of King Arkel, meets a mysterious, much younger woman, marries her and brings her home to his family's castle. She and his half-brother, Pelleas, fall in love, and Golaud's suspicions that they are having an affair (apparently unfounded) lead him to murder his rival. Melisande dies after giving birth to Golaud's child.
But in Maeterlinck's world nothing is quite what it seems, and as the characters wander through the story, their words, feelings and motivations are often impossible to pin down. Debussy captures this atmosphere of dreamy uncertainty and shifting reality with a score whose chromaticism continually eludes the musical resolution of traditional key structure. [more...]
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