Pappas' story reminded me a little of the movie "Rudy" - only Billy seems to be more of a defeatist (i.e., puts all his eggs in one basket, betting his life on a single project and then when that doesn't thrill his so-called "idol" who couldn't be more unlike Billy, he resumes his life as a bartender and just gives up).On the other hand, having had firsthand experience with the snobbish art world of today, I thought it was AWFUL the way Hockney's assistant spoke of Billy and his wonderful family (his parents, especially his mother, truly love him and were so supportive throughout). Hockney's people talked about Pappas, after their meeting, like he was a joke - a permanent outsider with no chance of ever breaking through to their big shot world. Why would Hockney grant him an audience, have him for lunch, spend 5 hours with him? So he could have a laugh at Pappas' expense? I would encourage Billy to work at his art, if that's what he wants to do with his life. But I don't think he's got what it takes to be a professional artist; he's too child-like, naïve and doesn't have the staying power. But it sure didn't help matters to have his "idol" turn his back on him. [artnet article] Waiting for Hockney Web
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