"I felt I had to. I
felt obligated," Robert De Niro, the famous actor, says of the new short
documentary, Remembering
the Artist: Robert De Niro, Sr. "It
was my responsibility to make a documentary about him. I was always planning on doing it, but never
did. Then Jane Rosenthal, my partner at Tribeca [Enterprises], said, ‘We should
start doing that now.' It was just something
I wanted to do."
But why wait until WAY after his father's death on his own
birthday in 1993? Throughout
the film, the actor is obviously wracked with painful memories and guilt over
having eclipsed his father whose lack of recognition gnawed away at him, his
life and his art... and eventually gnawed away as much at his son.
In
Wikipedia, Robert De Niro, Sr., the artist, is listed as being known for:
"Painter, School of Paris."
But is that a fact? I think I'm
very knowledgeable about culture and the arts but never heard a thing about the
actor's father until this.
After
seeing the film, I walked away thinking Robert De Niro, Sr. was a mediocre
painter; the actor, an unforgettable superstar.
De Niro, Jr. felt obligated to get his father recognized, though his
delivery does not convince us that he really believed his father was a great
artist. Rather, he's sentimental about
his father's work and even preserved his father's gallery intact for future
generations of De Niros to appreciate.
The actor is not ACTING in this film; he's being himself and appears to
be serving a penance for not having paid enough attention to his father in his
lifetime. An entry they chose from the
artist's own journal calls his son, the actor, "an angel" - for
having saved him from himself, perhaps for having brought him home from Paris
where he was ill and failing as an artist, or for having physically shopped his
paintings around to galleries in Paris with no results.
The
oft-mentioned quote about the artist receiving the recognition he deserves
after death makes us think of Vincent van Gogh who, reportedly, only sold one
painting in his lifetime. It took Vincent's
industrious sister-in-law's (Johanna Bonger) tenacity to make him famous... or
at least to start the ball rolling. The
rest, as they say, is history. But how
will the ages and passing of time treat De Niro, Sr.?
History
is being rewritten, in this film before our very eyes. I got the impression that the actor was being
his father's good son by convincing himself that his father was a great artist
- true to himself, not like any other, unable to fit into any movement or
category, moody, depressive, uncompromising - all the makings of the cliché
artist. This is evidenced by the obvious
omission of quality footage, being that the actor had access to all the cameras
in the world and the artist did live into the '90s. Since the actor became world famous back in
'73, that would have given him 20 years to document his father's so-called
accomplishments as an artist! The actor
obviously only recently felt an appreciation for his father's life work enough
to prompt him to participate in this film.
Another
glaring omission is that they never mention what the artist really did to make a living. It was obvious that he was broke most of the
time, yet he should have been blessed by his superstar son's meteoric rise to
fame and could have spent most of his 50s and all of his 60s painting to his
heart's content AND being documented for staying the course! They, instead, fill the frames with images of
artists and Garbo (he painted her obsessively) - those famous icons the artist
admired. He was in an elevator with
Garbo and never said a word to her? That
set the tone for the entire "victim of his time" theme. He was a lost soul who had rotten
timing? I think not. He was an emulator, an imitator, and too much
of a loner. There's too much more to
this story that we don't - and probably never will - know.
One
"newsmaker" stated that Robert De Niro was opening up about his "openly
gay father." What better way to
start a buzz - world famous actor reveals his dad is gay! However, the short film about his father
never reveals that he was openly gay. In
fact, his own journal writings reflect a man who was somewhat ashamed and
conflicted about his sexuality.
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