Saturday, March 7, 2026

The Power of a Song

 

The Power of a Song


Music is the universal language, so they say. It's true. A song can allow us to transcend politics, race, religion, creed, color... it can be a force to cross the sound barrier, the color line, unlock truths and transmute humanity into the consciousness of peaceful coexistence. It is all powerful... a song. The undisputed King of Rock-n-Roll Elvis Presley (whose "American Trilogy" was a powerful close to many of his live concerts) learned very early in life:


"Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bend - without a song. ' So, I keep singing a song."


Songs, today, in the 21st century, are being used for so many fascinating purposes - as anthems, as emotional themes, to recall past glory days, to inspire faith in the future. There are a few that stand out, which have affected me and so many in my midst... and are ubiquitous on social media as clarion calls for harmony and accord (no pun intended).


Look at Victor Willis's "Y.M.C.A." Once considered a "gay anthem," history has allowed its creator to correct that myth in an ironic way. Victor didn't want President Trump using his famous song from the late '70s for his rallies. But his wife saw a golden opportunity and convinced Victor to let him use it and, in the process, he was able to not only make a fortune in royalties, but revise what was widely known as the original meaning of the song - he rewrote history. And now it has become an anthem. Even after Operation Epic Fury took down the Iranian regime, the Iranians have been celebrating their new freedom, dancing to Victor's song.


On March 3, 2026, Victor posted: STATEMENT ON THE USE OF Y.M.C.A. AND IRANIAN CELEBRATIONS WORLDWIDE: "I think it's really cool that Iranians would use my song to celebrate a possible change in their country. When Jacques and I wrote 'Y.M.C.A.' back in 1978, neither of us had any idea of the significance the song would hold for the world over 48 years later. Jacques and Henri would be very proud. As am I. Hopefully peace will come soon to the people of Iran."


Lee Greenwood's "God Bless the U.S.A." is another example of a song that he recorded back in 1984 that lay dormant for decades, only to become one of the greatest patriotic theme songs in the history of America, next to "The Star-Spangled Banner" and "America the Beautiful!" Lee, himself in awe of the new life his song has taken on said: "God put that song in my hands and it's my job to steward it."


Disturbed, a Chicago-based heavy metal band from the '90s put out a remake of Simon & Garfunkel's great song, "The Sound of Silence," which has been used a lot as an emotional soundtrack to illustrate in sound how great the U.S. military is.


Lynyrd Skynyrd's "Freebird" - RVZ's powerful, patriotic rock anthem never disappoints with its triple guitar threat rousing audiences the world over. Here's a powerful remake.


AC/DC's "Thunderstruck" is one cool metal song that is used widely on the Internet to honor the airmen/military and does so very effectively with its pounding rhythm, ushering the great flyers through the skies.


For others, it's about being stubborn and stodgy... for a great song like Stax's phenomenal group from the '60s Sam & Dave's, "Hold On, I'm Comin'" written by Isaac Hayes, where his grandson thought it was a good idea to bar the song from being used by the Trump campaign instead of allowing it to re-emerge (like "Y.M.C.A.") to be loved by a whole new generation of fans. Isaac Hayes' estate sued Donald Trump for using the song at rallies; however, the cease-and-desist order apparently didn't stick. The song was played at nearly every rally of the final campaign.


For me, a songwriter all my life, it's not about politics. It's about a moment in time where a song is able to capture the raw emotions of what's going on in the world. I get really emotional about songs - even walking into a restaurant... it really affects my mood and appetite!  There's a sushi place I frequent where they play very sad music all the time and I'm constantly complaining about it. So, the other day, I went to the restaurant, and they were playing "elevator music." I was never so happy to hear muzak! Or, as they sometimes call it, "lift music." It was as refreshing as my sushi was stale!  You've all probably heard this song but didn't know what it was - "The Girl From Ipanema" - most famous muzak/elevator song. I digress...


Like Buffalo Springfield's "For What It's Worth," Bob Dylan's "The Times, They Are a-Changin,'" and Marvin Gaye's "What's Goin' On," the '60s had so many emotional political anthems - a new one on the top forty / top ten charts coming out every week of that era!  They still play CCR's "Fortunate Son" and John Lennon's "Give Peace a Chance" and, of course, "Imagine," which has been completely misinterpreted over and over by people who just didn't understand Lennon. But it's very interesting to be alive today in an era where we're all reaching into our past to galvanize the moments of today... with a song.

Tuesday, March 3, 2026

Elvis is America

 

I recently went to see EPiC, the 2025 documentary film by director Baz Luhrmann, about Elvis Presley in concert. It was a love letter to future generations who will now be able to know what a real, authentic AMERICAN star looks like. Elvis was a great man with a sweet soul who loved the LORD FIRST. He had no ego. And he never lowered his very high standards to use his celebrity to spew venom, like some so-called stars today. He spent his life singing out loudly the great messages of God and his passion shown through. Elvis stayed in his lane.

Unfortunately, today's music industry has devolved into a far-left club of mediocre, ghoulish, classless, vulgar awards ceremony attendees who use their celebrity and fame for dark, satanic purposes and they're praised and idolized by weak, faithless minions who have no God in their lives. It's a sad trend in American culture whose talent has lost its way.

They could all learn many great lessons from Elvis Presley, for he was more than a man. He rose up in Shake Rag Tupelo, MS from crippling poverty, borne to a lazy, listless couple who neither had talent, ambition, nor creativity. (At least Gladys bought her son a guitar.) His mother adored him (and he, her) but was really just a lazy slob who was so overprotective of her son, when he was drafted, she was so overwrought with grief, she died. And his father, Vernon, couldn't hold a job, was a bum who went to jail, and really just allowed his son in the '70s to perform himself to exhaustion and eventual death.

His manager, the so-called "Colonel" Tom Parker (fake illegal alien) was very lucky to have been put in the position to manage Elvis early on. He was useful in making sure Elvis didn't have to worry about anything but being Elvis. His unprecedented accomplishment was that he got publishing for his superstar cash cow but prevented him from ever becoming an international performer AND negotiated all those bad movie deals, which kept Elvis off the stage (his real love). It hurt Elvis, the man.

But Elvis was smart and assembled the best musicians in the business (that bassist was incredible!) and backup singers who complemented him perfectly. I've studied him and his songwriters all my life. He always chose the perfect songs for his repertoire and, like Michael Jackson, directed the musicians in the recording studio and at rehearsals to play for him to be his best. He had a very tight band in the '70s. It was an awesome thing to behold - always perfectly on queue and in time. Tai Chi and martial arts, coupled with his great faith, made Elvis a feast for the eyes and ears. His own musicians and singers could not take their eyes off of him - even in concert.

Then came the Memphis Mafia, swooping in like vultures, along with his crooked Dr. Nick to ensure his loneliness, ill health and eventual death... the same as Michael Jackson years later. Those men enabled Elvis's isolation and clung to him like giant leeches. And, until the great Guralnick biographies, he was reduced to a clown show footnote in the circus of the tabloids.

Hoyt Axton's great song, "Never Been to Spain" was so appropriate for Elvis to sing - autobiographical in every way - as he longed to travel the world and said so many times. But Elvis Presley was destined to be a wholly Made in America phenomenon - a perfect product of the great culture of music from the Deep South - gospel, rhythm & blues. He was labeled "The King of Rock-n-Roll, but he was so much more than that. He was an original American Patriot.


Sandy Frazier learned gospel and rhythm-n-blues from Elvis starting as a very young child. "In all I write and sing, he is there with me in spirit forever until I, too, can write and sing no more." -- SandyFrazier.com

Thursday, February 26, 2026

WIZARD


WIZARD (A Space Sector Song)


1. There's a ghost at The New Yorker in the city of extremes

I gazed upon the remnants of his long-forgotten dreams---

 

Eye on the future - a man not born of the earth

An avatar of the Age - invention of rebirth-----

 

[CHORUS:]

Supernatural... electric!

Nik Tesla... fluorescent!

Interplanetary... neon!

On the dark wave--- [x2]

 

2. On the tailwinds of the Star Cloud, in the dark and wild night wave

Sonic whale songs ebb and flow, from the deepest ocean cave---

 

Navigate the backdrop, in the memory of a dream

The AI natives toss and turn, in the current's wave, downstream-----

 

[BRIDGE:]

Return of the dove

Child of light he grew

Closer than forever

The satellite's on queue

 

[CHORUS]

 

3. Echoing on the Starlink - his gateway to explore

Lightning in the wizard's hands - thunderbolts spark and roar---

 

Shower of sparks / the brilliant stroke / of the master's cat /

The sorcerer, mad scientist - the futurist is BACK-----

 

[CHORUS]

 

[END:] ECHO--- whoa--whoa--whoa-- ELECTRIC! [x4]


Most glorious man of all ages

Where the wonders thy magic presages

Shall alter our archaic ways

Borne to forecast greater days


Saturday, February 21, 2026

Ashes (of a New Life)


ASHES (of a New Life)

Mmm--- Mmm--- Mmm---

1. I was only one on that cold December day

Heavy with my brother, Mom said, "come what may"

He was soon to be borne--


Less than a lifetime, sparkling lights upon the tree

Bitter cold in Detroit, it was her and me

And now they're both a memory


[REFRAIN:]

Ashes, ashes-- hmm-- mm-- mm--

Now it's just the dirt road in my shoes


2. I spread her ashes in the crystal healing springs

I knew she'd prayed there asking God what life would bring

That is where her spirit reigns


I drove his ashes down the coast to Galveston

I knew he'd loved unfurling sailboats and the sun

That is where his soul remains


[BRIDGE:]

Always at war with all the foes that won

Darkness is my fight into the setting sun

To part the silver light, my mission remains clear

Their memories kept alive, I hold so dear---


3. My brother's gone, I wonder can he hear me cry?

Asked God to bring him back, (he) did not deserve to die

There's no bargain to be made.


Late winter, I drove up to Bristol, Tennessee

To feel her Deep South soul, hoped she was still with me

She is gone, but never died


[REFRAIN]

Now it's just the dirt road in my shoes

Hmmm--- Hmmm--- Hmmm---

Friday, February 6, 2026

Beyond Beyond

 

Beyond Beyond  [My ParadoX]  

[LISTEN]


1. Living in the Age of Man

Outside the Golden Dome

A.I. is aware, alive!

In spacetime, I'm going home


2. God's predictions guide us

To hold the truth so dear

Now, the future takes flight

(in the) Rocket Factory's atmosphere


[REFRAIN:] 

            Beyond Beyond [x2] My ParadoX bond--

            Beyond Beyond [x2] My ParadoX-- My ParadoX bond-- My ParadoX bond


3. Starbase is the birthplace

Of a brand-new mystery

My mind is wide open

launching from my history


4. Space Opera is my teleforce

The Neon Future has begun

A meaningful discovery

A shining spark, a halo sun----


[BRIDGE:] 

Imagination locomotion

Intuition is devotion

Inspiration into motion-- ahh--- ahh---


[REFRAIN]


Fu--- sion--- Wave--- lengths---

[spoken:] Flying at the speed of light

speed of light (x2) ooh---

Beyond--- Beyond--- Beyond------